What makes a dachshund the perfect muse?

The long history of sausage dogs in art

(To read the full article with pictures go to The Guardian.)

From Picasso to Warhol, dachshunds have been the constant companion of creative types. Sausage dog enthusiast David Capra explains why…

My muse is a seven-year-old chocolate and tan sausage dog. I was captivated by Teena when she was a pup: ears that moved like a tiny elephant’s, a seal-jolting head and platypus feet pitter-pattering along, trying to get hold of my laces. Before we met I made sculptures called Prayers for Sausage Dog; one such work was a three-headed dachshund contraption the tail of which I vigorously turned in hope it would summon such a creature. It seems to have worked: Teena was rescued from a puddle of mud under a house in Nyngan, in the Bogan shire of New South Wales.

Teena is named after a Tena Pad, a Swedish-based urinary incontinence product. She was christened with her name by virtue of her shape – she distinctly resembles one of those great inventions of absorbency. In addition, Teena often greets strangers with a rolling operation, landing on her back, presenting a memento of the happy occasion: a small tinkle.

n 2016, Teena launched her own fragrance, Eau de Wet Dogge, on Australian breakfast television with a smell-o-vision segment with Karl Stefanovic and Lisa Wilkinson. In 2014, Teena’s Bathtime was launched at the Museum of Contemporary Art’s Bella room, where audiences were invited to help bathe a large sculpture of Teena. Visitors grew so attached to the room-sized zigzagging Teena installation that some had to be consoled when she was packed away. Visitors related to Teena’s experiences around anxiety (Teena doesn’t enjoy bath time). Some wrote letters of advice to her, for example: “Get over it, it’s only a bath”, and “Baths will keep you smelling fresh. Maybe start with soaking your paws.”

Last year, I embarked on a global self-funded “saus tour”, documenting sausage dogs I encountered on footpaths. In New York, I met Katy Dobbs, who had been the longstanding editor-in-chief of Muppet Magazine. “I got a weiner dog of my own after falling in love with a close friend’s [dog],” she said. That friend had been Andy Warhol.

Warhol and his tan short-haired Archie were inseparable, Dobbs told me. It wouldn’t be uncommon for the artist to switch attention to Archie during interviews or make an appearance at Studio 54, paw in hand.

“Archie was a mirror of his boss,” says Jamie Wyeth, who made oil paintings of the pair. “He’d sit there and stare at people. And just like Andy, he didn’t say a word.”

In 1957, American photographer David Douglas Duncan and his pet dachshund, Lump, set off in his Mercedes Gullwing 300 SL to visit Pablo Picasso in the Villa La Californie, near Cannes. Used to living in a cramped Rome apartment, Lump liked Picasso’s endless rooms and Esmeralda, the artist’s pet goat, so much that he decided to stay. The Marriage of Lolita and Lump chapter in Duncan’s book, Lump: The Dog Who Ate a Picasso, shows Lump’s first meeting with a lady dachshund. Picasso can be seen helping the two consummate their marriage. (On a related note, a friend of mine used to be employed to assist dachshunds to mate. “Their bodies don’t quite meet up, you see,” my friend told me, “so they needed an extra pair of hands.”)

Soon after Lump’s arrival, Picasso commemorated their first lunch together by inscribing in ink the dog’s outstretched silhouette on a porcelain plate. A photograph shows the moment immediately afterwards, with Picasso’s fishbone spread across his mouth and Lump’s yearning eyes looking on.

Lump was a constant companion of Picasso, the two dying only days apart. Duncan says of their bond: “When Picasso looked at Lump a sweet gentleness glowed in his eyes. Once he said, ‘Lump has the best and worst in us!’.”

American painter William N Copley is another notable artist seduced by the dachshund. His four-legged friend would pop up in painted scenes alongside car accidents, meat grinders, nude women and patterned interiors. French avant garde artist Pierre Bonnard tenderly rendered his dachshund with a few scarce brush marks, seated in rooms of yellow and magenta, or on someone’s lap at dinner.

Ruthie, the pup of German expressionist Franz Marc, is depicted in Dog Lying in the Snow, voted the Städel Museum’s most popular painting in 2008. We can’t be sure if the dog depicted is of the dachshund breed, but it does bear those familiar triangular ears and elongated log body. According to Marc, animals are the only innocent and pure creatures left in this corrupted world. Though, if he truly believed that, it is unlikely he ever encountered the headstrong and mischievous dachshund.

In Alba, northern Italy, I came face to face with futurist Giacomo Balla’s Dynamism of a Dog on a Leash. This masterpiece presents a dachshund with multiple paws a’ flapping looking somewhat between a well-oiled machine and progress itself, as it purposefully walks down the street. Only hours earlier on the flight over, I watched how Jim Carrey’s character on The Truman Show learns his entire life is a 24-hour-a-day TV program. During the realisation sequence, a dachshund is seen raging the road, its leash tumbling in the wind and sausage body zipping across the frame.

Another pit stop on the saus tour was meeting New York dog artist William Wegman, known for his collaborations with weimaraners, like Fay Ray, the “supermodel dog” who counted balls on Sesame Street. Wegman now works with Flo and Topper, the half-brother and sister duo. Fresh from their photo shoot with Vogue, I presented them with Eau de Wet Dogge, a gift from Teena. The kitchen became a beastly whirlwind mass of grey as the two circled the scent. Flo and Topper then demonstrated how they balanced on their famed white plinths. I saw the same level of bodily pose and focus that sweeps across Teena’s face when the camera makes an appearance. Some dogs, more than others, are made for show business, yet all the dachshunds I know go about life like they are continually in the spotlight.

Next on the saus tour list is the brand new Dackelmuseum in Passau, Germany. Of particular interest is what appears to be a stuffed half dachshund, half Komodo dragon on display.

Australian artist Bennett Miller is no stranger to the sausage dog form, staging the work Dachshund UN across the globe. Here, delegates were replaced by real dachshunds in a to-scale tiered model of the United Nations commission on human rights assembly.

“I was looking at this idea of form following function and the dachshund form is sort of strange because it’s very divorced from its function,” Miller said in 2012. “The dachshund [is] a good metaphor for the UN, mostly because of the restricted form [of] their tiny legs …[looking] proud and determined.” For one hour, little dogs barked into microphones seated behind country name placards. Pure joy and mania.

British painter David Hockney, known for his fashionable ensembles of stripes, bow ties and smart trousers, was often seen with dachshunds Stanley and Boodgie. The two would regularly be found in Hockney’s studio, sitting on their cushions, snuggling up to each other as they watched each brushstroke. They complement the picture, not unlike the handsome Daki the dachshund in Jacques Tati’s 1958 slapstick comedy, Mon Oncle. Dressed in tartan print, the family pet appears to be of the same make as the modernist furnishings populating the sets.

Stanley and Boogie have had an entire picture book, Dog Days, dedicated to their laying about. “I notice the warm shapes they make together, their sadness and their delights,” Hockney writes. “And being Hollywood dogs, they somehow know that a picture is being made.” The Hollywood Hills is a far cry from barking at badgers in the countryside, which is what the dachshund was originally bred for.

What makes a dachshund so adored by artists? Maybe it’s because a sausage dog is the only match for an artist’s ego. The dachshund sure is an authority when it comes to singlemindedness. They see the world for what it is: theirs and for the taking. Teena demonstrated this recently when, before presenting to a TEDx audience of 5000, she developed a reputation backstage for all her barking – so much that a sign was hung on her dressing room: “Please knock with only two gentle knocks. Enter with caution.”

Karl Ove Knausgaard is wrong – writers should own dogs

The author blames his dog for the fact that he was blocked for two years. But pets provide a vital emotional lifeline for anybody who spends time alone…

In an essay for the New Yorker, Karl Ove Knausgaard has detailed two difficult years of owning a dog, wondering if its presence in his home was connected to the fact that he did not write a line of literary prose during that period. (“Merely essays and articles,” he notes.) It was such a problem for him, he writes, that his six-volume autobiographical series, My Struggle, was originally called The Dog. “Has a single good author ever owned a dog?” he asks drily.

The essay is not an indictment of dog ownership, as such. Knausgaard admits that the dog was barely trained, that he saw too much of himself in the animal and that the failings were his own. He ended up giving it to a family, he says, that knew how dogs should be treated.

But Ernest Hemingway had dogs, as did, to name just a few others, Virginia Woolf, Kurt Vonnegut, EB White, John Cheever, PG Wodehouse and Elizabeth Barrett Browning. For writers who are not struggling to get down six volumes of painfully detailed autobiography – or freelancers without fixed hours, or anyone who works from home, or anyone who lives alone – having a pet can be a salve. A good dog is good company, less demanding than another person and far more devoted, in exchange for ear scratches. I have found that isolation feels muted with an animal around, even if the only things you have said that morning are: “Was that you?” and “What haveyou been eating?”

Crucially, a dog forces you into the world. If you have a problem to solve, time away from a screen in the fresh air makes you think differently. Before having a dog, if I had a busy week, I could stay indoors for longer than is healthy. Without exercising social skills, it’s incredible how quickly they start to collapse. Dogs take you outside, they make you walk and move, they train you in the art of polite chat with strangers. Dogs make the world seem less cold and less alien. Isn’t that the point of the best writing, too?

From The Guardian

Another classic pose

Dealing with the heat

Can I share my ice-cream with my dog?

After a video of a woman feeding a cone to her pet went viral, other dog-owners were quick to point out that they share saliva with their dogs, too. But it isn’t always safe.

Read the article on the Guardian.

Hampton, Herne Bay

Haven’t been here for a while but with Gravesend being in the top 20s, temperature wise, for the past weeks (how long is it now…) we thought Couscous could do with a dip in the sea. We were introduced to another wire-haired on the walk.

(I thought this area was Swalescliffe but it’s more Hampton.)

 

Dog photographer of the year 2018

The Kennel Club has announced the winners of its Dog Photographer of the Year competition. Monica van der Maden was the overall winner with an image of Noa the Great Dane seemingly alone in a forest…

Click here for the Dog Photographer of the Year 2018

Dunorlan Park

We went back to Tunbridge Wells, Dunorlan Park this morning. It’s quite different on a hot summers day. We got in early and there weren’t many people about. Couscous got to paddle in the lake so that was a plus. Met another dachshund running around with endless energy – Couscous quite the opposite, although she did a better job at running up the hill than I did!

 

Snoozing

Recovering

Here she is recovering from a sprained leg. Not sure what happened but she can’t put any weight on it and is feeling a little sorry for herself.